Rock

Kristin Hersh

Kristin Hersh, Fred Abong and Pete Harvey, Foxlowe Arts Cente, Leek, Friday the 8th of November, 2019

Kristin Hersh is an influential American singer-songwriter, multi-instrumentalist musician and author, known for her solo work and with her indie rock band Throwing Muses and noise rock trio 50FootWave. She has released eleven solo albums. Her guitar work and composition style ranges from jaggedly dissonant to traditional folk.

Kristin is visiting the UK for three intimate gigs during November – in Leek, London and Hebden Bridge – accompanied by her partner Fred Abong, Throwing Muses’ bass player, who opens solo for Kristin; and cellist Pete Harvey.

Kristin is currently touring her highly acclaimed Fire Records release, “Possible Dust Clouds”; and Fred is also playing in promotion of his latest EP, “Pulsing”.

The first night of the mini UK tour was in Leek at the Foxlowe, to celebrate 1000 events at the Arts Centre. Centre Manager Vicki Heath is a huge fan of Throwing Muses and Kristin, so she had no hesitation in asking for Kristin to play to celebrate this milestone for the venue. Vicki was ecstatic when the Foxlowe was able to secure the booking, along with indie rock fans of all ages from across Staffordshire and the wider North West, who quickly snapped up the available tickets.

As previously mentioned, Fred opened solo for Kristin, watched by Kristin and Pete, and played songs from his own repertoire on guitar. Pete had already made an appearance on stage, setting his cello up, giving a strong indication to the audience that Kristin was going to be accompanied for her set. Fred also came out beforehand and carefully placed an impressive and fine-looking trio of Gibson and Fender guitars on the stage too.

Thus, the stage was set for Kristin.

The venue was full, with an appreciative but reverent audience showing their love for Kristin and her extensive body of work, including old and newer songs. Her set was mesmerizing, powerful and moving. Kristin’s vocal style ranges from softly melodic to impassioned screaming, and she has an occasional vibrato that punctuates some of her more dramatic phrasing. You can’t take your eyes off her for a second, and I think that many people in the audience couldn’t quite believe that they were in such close proximity to their heroine.

Highlights included haunting (forgive me, no pun intended) renditions of Your Ghost, and City of the Dead, amongst many others from her back catalogue and new solo records.

A massive thank you to all who were involved in making the gig happen, including Andy Norton, The Situation, and Shameless PR (apologies if I’ve missed anyone off); Ivan Sherratt for the always sterling Sound duties; the staff and volunteers at the Foxlowe (you know who you are); and especially to Kristin, Fred and Pete for coming and playing for us. We sincerely hope to welcome Kristin, Fred and Pete back to our town and Arts Centre again in the future. Thanks also to all the fans who came out for the show despite the cold, the wet and the difficult travelling conditions, and filled the room. Look out for more indie gigs soon, as we have a rich and varied roster of upcoming acts at the Foxlowe over the next few months. Here’s to another 1000 events at the Foxlowe, and reaching the 2000 mark in a few years’ time!

Fred Abong, at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh, Fred Abong and some of the Foxlowe Arts Centre Staff and Volunteers

Photos 1 to 5 by Giles Metcalfe.

Chip Taylor and Adam Coxon

Adam Coxon, Chip Taylor, Gøran Grini and John Platania

Adam Coxon, Chip Taylor, Gøran Grini and John Platania at the Foxlowe Arts Centre, Leek, as an addition to the Leek Blues and Americana Festival programme, on Wednesday the 6th of November, 2019.

On Wednesday night, the Foxlowe was graced by the presence of the legendary New York singer/songwriter Chip Taylor (the Brill Building dwelling writer of “Wild Thing” – by The Troggs, and Jimi Hendrix – and “Angel of The Morning” – sung by PP Arnold, Evie Sands, Merrilee Rush, Juice Newton, Nina Simone and more; as well as other classic songs) with John Platania on electric guitar (record producer, session musician, guitar player – notably with Van Morrison and others) and from Norway, keyboardist Gøran Grini.

Ably supported by local singer-songwriter Adam Coxon, a seated full house was treated to an evening of mellow, heartfelt, emotional songs from Chip and his band, as well as unintended interjections from Chip’s mobile phone. Chip forgot to turn his mobile phone off, and kept getting texts and calls during his set. At one point, he pauses the song in progress to get his phone out of his pocket, reject the call, and then, without missing a beat, start up the song again. A class act.

The rapt audience also listens intently to Chip’s between song tale telling and introductions, on such diverse topics as hearing Country music for the first time as a child, horse racing and betting, his time in the Brill Building, Parnell’s Irish Bar in New York, and being a Whiskey Salesman.

I could go on and recount Chip’s set, but Chip describes it better himself. As an extract from Chip Taylor’s Road Journal entry for the Foxlowe Arts Centre gig says:

“By the time we finished dinner it was pretty much time for Adam [Coxon] to go on the stage and sing a few songs before we got up to do one long show.

Joan and I got there to see a little bit of Adam’s set and sat in the back clapping with other fans for his fine performance.

We got on stage promptly at nine… Right away we knew this was a crazy wonderful audience… It seemed like such comfortable fit, with equally crazy folks playing the music!

Gøran Grini and John Platania were absolutely amazing tonight. Working their magic in and out of all the songs, leaving lots of breathing room in each one. Again, the hits and the up-tempo songs seem to feel loose and good and very well responded to by this great group … we had good fun with the opening song, the Real Thing and “Track 224“ was over-the-top good tonight. Johnny Cash’s “Big River“was raw and great with amazing solos by John and Gøran.

But the songs that seemed to draw the most attention and get the most elongated applause again were the silent ones… The beautiful silent ones. Among the absolute magic ones for the night were “Whiskey Salesman”, “I Like Ridin’”, “Theme for an American Hero”, “What a Smile You Had”, “He’s a Good Guy as Well you Know”, “There’s Nothing Coming out of Me That I Like”, “I’ll Carry for You” and of course the biggest crowd pleaser of all these days is always “Fuck All the Perfect People“!

This audience was just really special.. An audience like this helps make the songs like “He’s a Good Guy” more than just songs being played… More like prayerful things being thought together and communicated and felt together. Some audiences do that for you… and so far, the audiences we have been playing for have been exceptional in this regard. Tonight, you could hear a pin drop during the performance of the songs and you could hear all the little soulful nuances being played on stage by Gøran and John.

This crazy, spontaneous audience brought out the best in us and them.. it was one of those nights!

After a wild “Fuck All the Perfect People”, with the audience singing the chorus loud and clear very early on in the song, we ended with “I Wasn’t Born in Tennessee” from the 1973 classic, Last Chance.

We left to a standing ovation and got a chance to say hello to some of [the audience in the bar area]…”

Thank you to Adam, Chip, John and Gøran for an amazing night, the staff and volunteers at the Foxlowe, and to everyone in the audience who came out on a wet night in Leek to catch the show. We look forward to welcoming you back to the Foxlowe again.

Adam Coxon at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Giles Metcalfe and Chip Taylor

Photos 1 to 3 by Giles Metcalfe, Photos 4 and 5 courtesy of Joan Taylor (thank you, Joan).

Adored and Definitely Mightbe Leek Arts Festival 2019

Perennial local favourites Adored and Definitely Mightbe brought the sounds of Manchester to Leek Arts Festival on Friday the 3rd of May, 2019.

150 or so merry indie music fans packed out the Foxlowe and enthusiastically danced and sang along to every word from the classic Stone Roses and Oasis back catalogues, played faithfully – and to the faithful – by Adored and Definitely Mightbe who returned to the Foxlowe after a triumphal gig here last year.

Adored opened proceedings with their tribute to the Stone Roses, as their seminal debut album turned 30 this week. The set featured songs taken mostly from that self-titled debut album, including I Wanna Be Adored and Fools Gold, but also Ten Storey Lovesong from the much delayed follow-up, 1995’s Second Coming.

Definitely Mightbe are the longest established Oasis tribute band in the world, with over 2,000 shows under their belt. After the interval and a change of clothing and backdrop, Definitely Mightbe took to the stage for a set of anthemic Oasis classics, ostensibly from their first two albums.

Leek’s own Kev Pyne, who played bass in Adored and Definitely Mightbe and was a real character, sadly died unexpectedly in October 2018, and the Oasis song Live Forever was dedicated to him on the night in a fitting tribute.

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – ‘Liam’ aka Ian Alcock

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute: ‘Liam’ and ‘Noel’

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – ‘Noel’ aka Paul Mitchell

All photos by Giles Metcalfe.

Bob Log III and Husky Tones

The mighty Bob Log III returned to the Foxlowe Arts Centre on Sunday the 24th of March, 2019. With support from Husky Tones – the perfect girl/boy, punk-blues alchemy combo, a blistering Bristol-based punk blues duo who hit with the force of a much bigger unit – the Foxlowe audience was treated to a unique gig experience that will stick in the memories of all those present for a long time (assuming that they were sober enough to remember the events of the night!).

First up onstage were Husky Tones, who are Victoria Bourne on drums and vocals, and Chris Harper on guitar and vocals. Both Husky Tones and Bog Log III make a mighty fine racket, using a single guitar and drums/percussion attack strategy that hits you in the gut (and other areas) and gets the audience up and moving. Victoria comes from the Maureen Ann “Moe” Tucker (stand-up drummer of the legendary The Velvet Underground) and Meg White (sit-down drummer of the also legendary The White Stripes) school of hard-hitting, primal drumming. Victoria bounces up and down in her Dr Martens AirWear soled boots and punishes the drum skins like they’ve been very naughty indeed!

Victoria states:

When playing live I want our gigs it to feel like a special party that Chris and I have invited you to. Performing is one of those extraordinary experiences where some gigs I feel like jumping around and screaming in a bright red PVC dress and fishnets and others where I feel exposed, intimate, vulnerable. Just like our songs, sometimes wild and full of punk attitude whilst others are stories of beauty and love. Keeping you engaged without knowing where we might take you next. I want you to sweat with me, dance to me, cry with me, to make you feel alive…”

We did, Victoria, we did, and you did. Thank you. Sunday night was definitely a “jumping around and screaming in a bright red PVC dress and fishnets” night!

Chris also attacks his guitars hard, in a crunchy, dexterous, raging style. At times his right arm is a blur of motion as he hunches over and chops and slashes at his black Fender Strat, or switches to a battered Fender Telecaster, leans back and plays with a slide.

Chris states:

“I’ve played guitar for many years, wandering in and out of many styles but I always come back to the blues, a smashy, trashy, crashy version of it that is. Husky Tones gives me the chance to be a riff machine and to jump around on stage making a big, fat noise. I like riffs, I like grooves and I like good lyrics, the lyrics have to have something individual about them. I like songs to be about something not just relationships, I like songs about the world, about politics, about living a better life and of course, about love in all it’s forms. But it has to make me tap my feet or sway in time.”

Chris has an impressive array of effects pedals, including Fuzz and Wah-Wah, but, as any quality guitarist will tell you, its not about the effects pedals, its what you do with them. Right? You got it.

I’m sure we’ll see Husky Tones at the Foxlowe again in future, and look forward to welcoming them back.

Next up was the one-man force of nature that is Bob Log III! Robert Logan Reynolds III, to use his full Sunday name, and the one his ever-loving Mom calls him by, is an All-American slide guitar one-man band, based in Tucson, Arizona, and Melbourne, Australia. During performances, he plays his old Silvertone archtop guitars, wears a full body human cannonball glitter suit, boots made for stomping, and a helmet wired to a telephone receiver. This allows him to devote his hands and feet to guitar and kick drums.

The crown prince of punk blues, and a Fat Possum recording artist, witnessing Bob Log III live is an unmissable and unforgettable experience. Bob unleashes a torrent of hardcore Mississippi Delta blues, hip hop beats and punk rock. The crash helmet telephone distorts the vocals and his hands, arms, legs and feet become a blur of jump suit clad limbs as he plays slide, triggers drum machines and drums with his feet simultaneously. Bob then adds extra ingredients to this punk blues bouillabaisse with his unique version of audience participation. More often them not he’ll bounce a couple of audience members on his knees while playing (this certainly happened, see below), and then brings on the infamous Boob Scotch. The audience are invited to literally stick their boob in his scotch which he then drinks. If Bob feels satisfied he will then launch into his anthem Boob Scotch!

Bob wasn’t drinking (much) on Sunday night, and there was a distinct lack of drinks bought for him on stage (sorry, Bob, that was very remiss of us!) but he still wanted to toast the audience. Luckily, he had the foresight to bring a toaster, a loaf of sliced bread, and paper plates onto the stage, and the bread duly got toasted throughout the set, assisted by a couple of impromptu Toast Techs (Andy and JR), before being distributed to the hungry audience. Apparently, that was the onstage debut of the toaster, but no doubt it will become a feature of his stagecraft going forwards.

Gigs at the Foxlowe can be quite genteel and civilised affairs, but a polite, sedate, seated gig this was not!

Balloons – blown up and then burst; Prosecco, an inflatable duck, me ducks!, and a dog bowl; bread and the aforementioned toaster all featured; along with a few technical hitches; audience participation (not all of it solicited); and wild dancing all contributing to the pervading vibe of chaos and good-natured anarchy! Victoria and Chris also contributed to the performance during Bob’s set, with Victoria drinking Prosecco from the dog bowl, and both Chris and Victoria taking turns to sit on Bob’s knee when he invited the audience up on stage to get selfies and a little knee bounce action! The Prosecco filled inflatable duck was passed around the audience and quaffed from until it was empty, before finding it’s way back to the stage.

No inflatable dinghy crowd surfing on this occasion, unfortunately, as both the stage and the ceiling are too low for that. Bob did venture out into the crowd to high five his appreciative audience and get up close and personal though, despite “not being able to see shit!” through his visor.

In this current world of homogenised and mass marketed music, we need true mavericks like Bob Log III more than ever. Missing you already, Bob. Come back soon.

Husky Tones at Foxlowe Arts Centre

Husky Tones at Foxlowe Arts Centre

Husky Tones at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at Foxlowe Arts Centre

Bob Log III at the Foxlowe Arts Centre

Bob Log III at the Foxlowe Arts Centre

Bob Log III at the Foxlowe Arts Centre

Photos 1 to 10 by Giles Metcalfe, Photos 11 and 12 by Mark Brammar.

 

 

Kris Barras Band and the Jack J Hutchinson Band rock the Foxlowe

The Kris Barras Band and the Jack J Hutchinson Band rocked a sold out, hot and sweaty Foxlowe Arts Centre last night.

The Jack J Hutchinson Band have supported the mighty Kris Barras Band on their Winter 2019 UK tour, throughout January and February.

Jack J Hutchinson is a British blues rock guitarist, based in London. The Jack J Hutchinson Band features: Jack J Hutchinson (vocals and guitar), Felipe Amorim (drums) and Lazarus Michaelides (bass).

The band, along with Stuart Moir and Alberto Manuzzi, are working on the follow-up to their critically acclaimed album ‘Paint No Fiction’. The record, with artwork designed by long time collaborator Aaron Gardner, is scheduled for release in the summer. Hutchinson has stated: “Most of the material has come together whilst on the road over the last 10 months or so. Whereas my previous record was written mainly at home with an acoustic guitar, a lot of the new songs came together in sound checks and in hotel rooms jamming on my electric. So, unsurprisingly, it feels like a much heavier album with a lot of movement.”

Some of that new material was played during the set last night, along with tracks from his critically acclaimed album ‘Paint No Fiction’ and a frenetic cover of ‘Oh Well, Part 1’ by Peter Green’s Fleetwood Mac, and was well-recieved by the enthuiastic 250+ sell-out crowd of blues, southern rock and classic rock fans.

The Kris Barras Band followed the Jack J Hutchinson Band, and played a trademark blistering set that featured classic rock and heavy blues guitar and “soul-wrenching melodies“, along with bravura displays of Jimi Hendrix-esque showmanship (including playing the guitar behind his head, and with his teeth) mixed with a swirling Hammond organ and keyboard sound, pounding drums and heavy bass.

The set featured ‘Watching Over Me’, a song written for his late father who had inspired him to pick up the guitar when he was 6. As a musician himself, he had played bass in Kris’s band. Kris’ father lost his battle with cancer a few years ago. The spoken introduction to the song and the emotional delivery was a touching tribute and touched everyone in the audience I’m sure.

The Kris Barras Band members are: Kris Barras – Lead vocals/guitar, Josiah J Manning – keys, Elliott Blacker – bass, and Will Beavis – drums.

From the Kris Barras Band website bio page:

“Inspired by his father at the early age of only Six years-old, Kris was already making an appearance on stage before turning Ten. He has since gone on to spend more than twenty years thrilling audiences throughout the globe playing live.

“The band have appeared at major festivals throughout the UK and Europe. These include Ramblin’ Man Fair (UK), Rawa Blues Festival (Poland) and Bliuzo Naktys (Lithuania). 2017 saw the band complete two very successful tours in both the UK and Europe with 2018 lining up much more of the same.

“In April 2018, it was announced that Kris would become the new frontman for USA super-group, Supersonic Blues Machine.The band feature’s legendary artists such as ZZ Top’s Billy Gibbons, Steve Lukather (Toto), Eric Gales, Warren Haynes (Gov’t Mule) and Walter Trout.

“Kris was nominated for ‘Blues Guitarist of the Year 2017’ by Total Guitar magazine and voted into the Top 15 Blues Guitarists in the World by Music Radar.

“‘The Divine and Dirty’ album was released in March 2018 and went in straight at number one in both the Amazon and iTunes Blues charts as well as Number 3 in the Official UK Blues/Jazz Charts, where it remained in the top 30 for 12 weeks. The album also reached the UK top 40 on Amazon for all music; the only blues-based band in that chart at the time.”

Jack J Hutchinson Band - Foxlowe Arts Centre, Leek

Jack J Hutchinson Band - Foxlowe Arts Centre, Leek

Kris Barras Band - Foxlowe Arts Centre, Leek

Kris Barras Band - Foxlowe Arts Centre, Leek

Kris Barras Band - Foxlowe Arts Centre, Leek

Kris Barras Band - Foxlowe Arts Centre, Leek

Kris Barras Band - Foxlowe Arts Centre, Leek

All photos by Giles Metcalfe.

Limehouse Lizzy 2019 Tour

Limehouse Lizzy, who continue to keep the spirit of Celtic rock icon Philip Lynott and his band Thin Lizzy alive, are officially one of the hardest working bands in the UK.

Rocking up to a cold and icy Leek on Thursday the 17th of January as part of their 2019 Tour, they played to a packed room of Rock Fans of all ages, including the children and grandchildren of rockers old enough to have seen Thin Lizzy live in the 70s and early 80s.

As their Facebook Page states:

Attention to detail, playful audience interaction and that all important X-factor that leaves you with the feeling of witnessing the real thing have led to their performance being described as “beyond tribute”, by both audience and critics alike.

Returning to the Foxlowe for 2019, the audience were treated to the Celtic influenced tracks like ”Whisky in the Jar” and “Black Rose”, amongst the usual razzamatazz, audience banter and the classic tracks “The Boys are Back in Town”, “Sarah” and many others that we’ve come to expect from one of the most highly rated acts on the tribute circuit.

Limehouse Lizzy 2019

Limehouse Lizzy 2019

Limehouse Lizzy 2019

Photos by Giles Metcalfe

The Dylan Project December 2018

The Dylan Project visited the Foxlowe Arts Centre once again, on the night of Thursday the 13th of December, 2018.

Now in their 20th year, but unfortunately sans Dave Pegg for this show (apparently “unavoidably detained” elsewhere), The Dylan Project (Steve Gibbons, Dave Pegg, P.J. Wright, Phil Bond & Gerry Conway) played under the banner of the Cuckoo’s Nest Folk Club to a packed room of respectful but enthuisiastic Dylan fans.

As their website says:

“Don’t be misled by the word ‘tribute’. Although the phrase “tribute band” can mean a slavish facsimile or a big-name cash-in, The Dylan Project is far more than a mere copycat act. The members bring their own distinctive take on the music, Steve Gibbons interprets the lyrics with stylish individuality and, above all, respect for a master writer and performer shines through every word, every note. As Mojo’s reviewer said: “The Dylan Project is a tribute in the best possible sense. Touching and deftly handled, it makes you marvel, once again, at the scope and majesty of this singular writer’s work.””

Thanks on behalf of the Foxlowe and The Cuckoo’s Nest to the band and everyone who attended on a very chilly night in Leek. See you again next year!

The Dylan Project - Foxlowe Arts Centre Dec 2018

The Dylan Project - Foxlowe Arts Centre Dec 2018

The Dylan Project - Foxlowe Arts Centre Dec 2018

Photos by Giles Metcalfe.

The Little Unsaid

The Little Unsaid played an intimate gig in front of a select audience on Friday night, in the packed cafe area of the Foxlowe. The cafe was adapted into a performance venue for the night.

Touring in support of their ‘Selected Works’ album (Reveal Records 2018), the band are described as being ‘musically inventive and lyrically astute – creating tension between extremes (harmony and discord, sadness and joy, the technological and the organic) – an artist of considerable range’, Album of The Month, by FolkRadio.co.uk

Reveal Records is the home of Lau, Joan As Police Woman, Eddi Reader and more.

Fronted by songwriter John Elliott, The Little Unsaid are a band with an original sound and international outlook. The band have spent the last year touring Europe, leaving audiences emotionally rapt with a live show that’s been described as ‘a thumping depth of passion’.

Their sound is all their own but echoes the intensity and melancholic overtones of greats such as Nick Cave and Leonard Cohen, using light and shade in their music and lyrics, and quiet and loud passages, to great effect.

2017’s critically-acclaimed Imagined Hymns & Chaingang Mantras album was recorded with Radiohead engineer and film score producer Graeme Stewart. The Little Unsaid embrace elements of rock, folk, electronica, jazz and alt-pop. One of the UK’s must-see rising live acts and recent winners of the Steve Reid award for Innovation.

‘Entrancing… songwriting of a real rich quality, all held together by an intensity of approach, by a focus on the emotional weight music can carry’ – Clash

‘Extraordinary music. This is an amazing act’ – Bob Harris, BBC Radio 2

‘A brave and often brilliant collection’ – R2 Magazine (on Selected Works)

With support on the night from Indie/Alternative singer-songwriter Venn Goodwin.

Venn Goodwin

Venn Goodwin

The Little Unsaid - photo by Giles Metcalfe

The Little Unsaid – photo by Giles Metcalfe

The Little Unsaid - photo by Giles Metcalfe

The Little Unsaid – photo by Giles Metcalfe

The Little Unsaid - photo by Giles Metcalfe

The Little Unsaid – photo by Giles Metcalfe

The Little Unsaid - photo by Giles Metcalfe

The Little Unsaid – photo by Giles Metcalfe

The Little Unsaid - photo by Giles Metcalfe

The Little Unsaid – photo by Giles Metcalfe

Thanks go out to the volunteers who adapted the cafe space into the venue for the gig and put everything back again afterwards, and to Ivan for taking care of the Sound.

Thunder Hammer Spooktacular Halloween Ball

Thunder Hammer made their third appearance at the Foxlowe on Saturday the 27th of October.

As with their previous two appearances, the event was a sell out, and the Foxlowe was packed.

Billed as a Halloween Ball, the more extrovert and adventurous members of the audience dressing up as zombies, Día de Muertos (Mexican Day of the Dead) Señors, Señoras and Señoritas, Axl and Slash from Guns N’ Roses, Horror Film characters, and Marvel and DC Comic characters, amongst other costumes. It looked like a lot of effort had gone into the hair, makeup and costumes, and you all must have had some funny looks travelling to the venue or if you were out and about around town beforehand!

The Band themselves were in their usual stage clothes, although Leek-based bassist Jonathan ‘JP’ Parsons was rocking a pair of cowboy boots! The band members in full are:

  • Simon Ward – Lead Vocals
  • Ben Forrester – Lead Guitar
  • Dave Leese – Lead Guitar
  • Jonathan ‘JP’ Parsons – Bass
  • Josh Jones – Drums

Our very own local ‘Monsters of Rock’ play a mix of Classic Rock and Heavy Metal covers, and this was their first show back together as a full band after their lower-key acoustic appearance in Leek, and now legendary sell out preformance at Trentham Gardens in the summer, which saw over 2500 rock fans descend upon Trentham to witness the Hammer in action.

Warning – some of the following photos contain fake blood and gore, and outrageous riffage and face-melting shredding, which some viewers may find disturbing!

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

Thunder Hammer at the Foxlowe, 27th of October, 2018 Photo by Giles Metcalfe

All photos by Giles Metcalfe.

The Foxlowe possessed by Demon

Saturday the 2nd of June saw the Night of the Demon at The Foxlowe, as the invited guests of the Leek Arts Festival put on a fiendishly theatrical performance and took possession of the mass audience.

Demon play a mix of hard rock/heavy metal/progressive rock, and were formed in 1979 by vocalist Dave Hill and guitarist the late Mal Spooner, both hailing from here in Leek, Staffordshire.

From Encyclopaedia Metallum: The Metal Archives:

“Demon started out as an occult-themed NWOBHM [New Wave of British Heavy Metal] band, but changed style to progressive/hard rock after their first two albums [Night of the Demon, and The Unexpected Guest]. Their later material varies, often even from album to album.”

Support on Saturday night came from The Blues Makers.

The Blues Makers

The Blues Makers

The Blues Makers

The Blues Makers

Demon

Demon

Demon

Demon

Demon

Demon

Demon

Demon

Demon

Demon

Demon

Demon

All photos by Giles Metcalfe.

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