Foxlowe Arts Centre

Kristin Hersh

Kristin Hersh, Fred Abong and Pete Harvey, Foxlowe Arts Cente, Leek, Friday the 8th of November, 2019

Kristin Hersh is an influential American singer-songwriter, multi-instrumentalist musician and author, known for her solo work and with her indie rock band Throwing Muses and noise rock trio 50FootWave. She has released eleven solo albums. Her guitar work and composition style ranges from jaggedly dissonant to traditional folk.

Kristin is visiting the UK for three intimate gigs during November – in Leek, London and Hebden Bridge – accompanied by her partner Fred Abong, Throwing Muses’ bass player, who opens solo for Kristin; and cellist Pete Harvey.

Kristin is currently touring her highly acclaimed Fire Records release, “Possible Dust Clouds”; and Fred is also playing in promotion of his latest EP, “Pulsing”.

The first night of the mini UK tour was in Leek at the Foxlowe, to celebrate 1000 events at the Arts Centre. Centre Manager Vicki Heath is a huge fan of Throwing Muses and Kristin, so she had no hesitation in asking for Kristin to play to celebrate this milestone for the venue. Vicki was ecstatic when the Foxlowe was able to secure the booking, along with indie rock fans of all ages from across Staffordshire and the wider North West, who quickly snapped up the available tickets.

As previously mentioned, Fred opened solo for Kristin, watched by Kristin and Pete, and played songs from his own repertoire on guitar. Pete had already made an appearance on stage, setting his cello up, giving a strong indication to the audience that Kristin was going to be accompanied for her set. Fred also came out beforehand and carefully placed an impressive and fine-looking trio of Gibson and Fender guitars on the stage too.

Thus, the stage was set for Kristin.

The venue was full, with an appreciative but reverent audience showing their love for Kristin and her extensive body of work, including old and newer songs. Her set was mesmerizing, powerful and moving. Kristin’s vocal style ranges from softly melodic to impassioned screaming, and she has an occasional vibrato that punctuates some of her more dramatic phrasing. You can’t take your eyes off her for a second, and I think that many people in the audience couldn’t quite believe that they were in such close proximity to their heroine.

Highlights included haunting (forgive me, no pun intended) renditions of Your Ghost, and City of the Dead, amongst many others from her back catalogue and new solo records.

A massive thank you to all who were involved in making the gig happen, including Andy Norton, The Situation, and Shameless PR (apologies if I’ve missed anyone off); Ivan Sherratt for the always sterling Sound duties; the staff and volunteers at the Foxlowe (you know who you are); and especially to Kristin, Fred and Pete for coming and playing for us. We sincerely hope to welcome Kristin, Fred and Pete back to our town and Arts Centre again in the future. Thanks also to all the fans who came out for the show despite the cold, the wet and the difficult travelling conditions, and filled the room. Look out for more indie gigs soon, as we have a rich and varied roster of upcoming acts at the Foxlowe over the next few months. Here’s to another 1000 events at the Foxlowe, and reaching the 2000 mark in a few years’ time!

Fred Abong, at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh, Fred Abong and some of the Foxlowe Arts Centre Staff and Volunteers

Photos 1 to 5 by Giles Metcalfe.

Chip Taylor and Adam Coxon

Adam Coxon, Chip Taylor, Gøran Grini and John Platania

Adam Coxon, Chip Taylor, Gøran Grini and John Platania at the Foxlowe Arts Centre, Leek, as an addition to the Leek Blues and Americana Festival programme, on Wednesday the 6th of November, 2019.

On Wednesday night, the Foxlowe was graced by the presence of the legendary New York singer/songwriter Chip Taylor (the Brill Building dwelling writer of “Wild Thing” – by The Troggs, and Jimi Hendrix – and “Angel of The Morning” – sung by PP Arnold, Evie Sands, Merrilee Rush, Juice Newton, Nina Simone and more; as well as other classic songs) with John Platania on electric guitar (record producer, session musician, guitar player – notably with Van Morrison and others) and from Norway, keyboardist Gøran Grini.

Ably supported by local singer-songwriter Adam Coxon, a seated full house was treated to an evening of mellow, heartfelt, emotional songs from Chip and his band, as well as unintended interjections from Chip’s mobile phone. Chip forgot to turn his mobile phone off, and kept getting texts and calls during his set. At one point, he pauses the song in progress to get his phone out of his pocket, reject the call, and then, without missing a beat, start up the song again. A class act.

The rapt audience also listens intently to Chip’s between song tale telling and introductions, on such diverse topics as hearing Country music for the first time as a child, horse racing and betting, his time in the Brill Building, Parnell’s Irish Bar in New York, and being a Whiskey Salesman.

I could go on and recount Chip’s set, but Chip describes it better himself. As an extract from Chip Taylor’s Road Journal entry for the Foxlowe Arts Centre gig says:

“By the time we finished dinner it was pretty much time for Adam [Coxon] to go on the stage and sing a few songs before we got up to do one long show.

Joan and I got there to see a little bit of Adam’s set and sat in the back clapping with other fans for his fine performance.

We got on stage promptly at nine… Right away we knew this was a crazy wonderful audience… It seemed like such comfortable fit, with equally crazy folks playing the music!

Gøran Grini and John Platania were absolutely amazing tonight. Working their magic in and out of all the songs, leaving lots of breathing room in each one. Again, the hits and the up-tempo songs seem to feel loose and good and very well responded to by this great group … we had good fun with the opening song, the Real Thing and “Track 224“ was over-the-top good tonight. Johnny Cash’s “Big River“was raw and great with amazing solos by John and Gøran.

But the songs that seemed to draw the most attention and get the most elongated applause again were the silent ones… The beautiful silent ones. Among the absolute magic ones for the night were “Whiskey Salesman”, “I Like Ridin’”, “Theme for an American Hero”, “What a Smile You Had”, “He’s a Good Guy as Well you Know”, “There’s Nothing Coming out of Me That I Like”, “I’ll Carry for You” and of course the biggest crowd pleaser of all these days is always “Fuck All the Perfect People“!

This audience was just really special.. An audience like this helps make the songs like “He’s a Good Guy” more than just songs being played… More like prayerful things being thought together and communicated and felt together. Some audiences do that for you… and so far, the audiences we have been playing for have been exceptional in this regard. Tonight, you could hear a pin drop during the performance of the songs and you could hear all the little soulful nuances being played on stage by Gøran and John.

This crazy, spontaneous audience brought out the best in us and them.. it was one of those nights!

After a wild “Fuck All the Perfect People”, with the audience singing the chorus loud and clear very early on in the song, we ended with “I Wasn’t Born in Tennessee” from the 1973 classic, Last Chance.

We left to a standing ovation and got a chance to say hello to some of [the audience in the bar area]…”

Thank you to Adam, Chip, John and Gøran for an amazing night, the staff and volunteers at the Foxlowe, and to everyone in the audience who came out on a wet night in Leek to catch the show. We look forward to welcoming you back to the Foxlowe again.

Adam Coxon at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Giles Metcalfe and Chip Taylor

Photos 1 to 3 by Giles Metcalfe, Photos 4 and 5 courtesy of Joan Taylor (thank you, Joan).

Little Victor and his Combo

The larger than life Little Victor – AKA Victor Mac, “The Beale Street Blues Bopper” and DJ Mojo Man – graced Leek and a full house at The Foxlowe for The Blues and Americana Festival with his presence on Saturday the 5th of October; supported by Dominic “Chuck Berry” Cooper’s Red Berryn, playing the music of Chuck Berry.

Along with his Combo – his backing band – Little Victor gave us a rollicking and rambunctious night of Blues and Rock ‘N’ Roll, straight from the heart of Memphis to a packed room in the Midlands home of Blues and Americana.

Little Victor is an internationally acclaimed singer-songwriter, guitarist and harmonica player; well-known on both sides of the pond for his rich, quirky and inspired real deal postmodern down-home Blues. He has been called ‘the King of Grit’ and the antithesis of meaningless virtuosity.

The music journalist Johnny Whiteside, writing in the LA Times, described Little Victor’s style of music:

“Little Victor (is) an untamed maverick whose raw, primitive sounds are the utter antithesis of the contemporary Blues model. The offbeat singer-guitarist eschews the genre’s prevalent trend for streamlined six-string virtuosity in favour of wild shouting, stabbing guitar and heavy, almost hypnotic, rhythmic repetition. He can effortlessly switch from shadowy, primitive low Blues to the polished, uptown Beale Street-style R&B to wild, wicked boogies, and all of it is put across with expressive, soul-deep conviction.”

His live shows are an unusual blend of juke joint blues and cabaret, and Saturday night at The Foxlowe was no exception.

Little Victor comes over like a mixture of John Lee Hooker, Slim Harpo, Pee Wee Herman, Muddy Waters, Peter Sellers, RL Burnside, James Brown, Salvidor Dali, Lightnin’ Hopkins, Tommy Cooper, Jimmy Reed, and Screaming Jay Hawkins, all rolled into one! A larger than life character indeed!

Sporting an array of sharp attire, black sunglasses and natty headwear – leopardprint berets and fezzes – and a cape, Little Victor and his equally well-dressed Combo played songs from his new album, entitled “Deluxe Lo-Fi”, as well as cover versions and material from his “Back To The Black Bayou” album. Ably backed by his band, Little Victor’s rowdy, joyous showmanship was a joy to behold. Prowling the stage at times, Little Victor whipped his guitar lead around, did nifty and well-honed moves with his mike stand, stood on a stool which he later kicked over and off the stage, and ventured out into the audience, meaning that you could never take your eyes off him. Woe betide you if you should talk during his set too, as the couple sat near to the stage found out when he called them out for having a conversation whilst he was telling a tale between songs! Appropriate and orchestrated audience participation was encouraged, however, with call and response sections within the songs (“Shake Your Boogie”, and “Another Sleepless Night”), and audience interaction between numbers.

Sponsored by CTD Architects, we were delighted to have Little Victor and his all-star Combo with us for the Festival this year.

Prior to his set, Little Victor was presented with a sketch portrait by Leek and Foxlowe Creative Hub-based artist, Gavin Bowyer. Gavin was commissioned by the Leek Blues and Americana Festival to produce sketch portraits in his own signature style of each of the acts playing this year.

The photo of Little Victor receiving his portait from Gavin is by Mark Brammar.

All other photos by Giles Metcalfe.

Little Victor recieves his sketch portrait from local artist Gavin Bowyer

Little Victor recieves his sketch portrait from local artist Gavin Bowyer. Photo by Mark Brammar.

 

Dominic "Chuck Berry" Cooper's Red Berryn

Dominic “Chuck Berry” Cooper’s Red Berryn. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Foxlowe Arts Centre, Leek

Little Victor and his Combo. Stool still onstage. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Leek

Little Victor and his Combo. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Leek

Little Victor and his Combo. Photo by Giles Metcalfe.

Martin Harley and Sam Brookes

Martin Harley, supported by Sam Brookes, kicked off the Foxlowe’s Leek Blues and Americana Festival as a host venue for live music on Wednesday the 2nd of October.

The Festival as a whole opened with a showing of the film Amazing Grace in the cinema room in the Foxlowe on Tuesday night, followed by Festival First Call with Mike Gledhill in the Cock Inn on Wednesday afternoon, but the Foxlowe opened its doors on an unseasonably chilly evening to welcome a great turnout for Martin Harley’s brand of electrified Country Blues.

As Martin’s website states:

“I’m ready to make a bigger noise……Muddy Waters invented electricity right?”

“In 2019 British guitarist and songwriter Martin Harley is making a change. Having created a deep impression on the acoustic blues roots and Americana scene with his last two Nashville recorded albums, his highly anticipated new record finds a new and exciting sound. An Intimate and gritty analogue album, recorded in a remote chapel deep in the wilds of Pembrokeshire. Taking county blues riffs to the electric bottleneck slide guitar, served with sweet vocal harmonies over the driving rhythms of co producer and drummer Harry Harding (Yola Carter/William the Conquerer) Award winning Australian bassist Rex Horan finalises the line up. He has recorded and performed with Eric Clapton, Van Morrison and Laura Marling.

“Through Harley’s road worn songwriting style this record explores hopes and fears for fast changing times, offering gospel like comfort and consolation. The song ‘Roll With The Punches’ implores the listener not to get dragged down when challenges seem unsurmountable. ‘Coming Home’ asks questions beyond the end of life and ruminates on freedom from worldly desires.

“If success can be measured by growing global demand to attend Martin’s dynamic life performances then perhaps his touring schedule is proof of that. He recently played to full house at the Union Chapel in Islington and has appeared at Edmonton, Vancouver, Canmore and Calgary folk festivals in Canada, Glastonbury, Bestival, Beautiful days in the UK, numerous European and US tours and events including the AMAs, The Bluebird in Nashville and Tønder in Denmark. In 2018 Total guitar ranked him #16 in the worlds greatest acoustic guitarist poll and he was nominated as Instrumentalist of the year at the Americana music awards.”

Ably supported by acoustic singer-songwriter, Sam Brookes, who has been described as being “reminiscent of Tim Buckley as he glides between the lower and upper registers of his four-octave range. His pure voice, evocative lyrics and soaring melodies have made him a rising figure in the alt-folk scene”, the appreciative and reverent audience were treated to an uplifting and at times highly poignant and moving set, including renditions of ‘Roll With The Punches’, ‘Feet Don’t Fail Me’ and ‘Winter Coat’.

Prior to his set, Martin was presented with a sketch portrait by Leek and Foxlowe Creative Hub-based artist, Gavin Bowyer. Gavin was commissioned by the Leek Blues and Americana Festival to produce sketch portraits in his own signature style of each of the acts playing this year.

The photo of Martin receiving his portait from Gavin is by Mark Brammar.

All other photos by Giles Metcalfe.

Martin Harley receiving his sketch portrait from Gavin Bowyer

Martin Harley receiving his sketch portrait from local artist Gavin Bowyer. Photo by Mark Brammar.

 

Sam Brookes supporting Martin Harley and playing to a full room at Leek Blues and Americana Festival, Foxlowe Arts Centre, Leek

Sam Brookes supporting Martin Harley and playing to a full room. Photo by Giles Metcalfe.

 

Martin Harley playing lap slide guitar

Martin Harley playing lap slide guitar. Photo by Giles Metcalfe.

 

Martin Harley and Band

Martin Harley and Band. Photo by Giles Metcalfe.

 

Martin Harley and Band. Photo by Giles Metcalfe.

Martin Harley and Band. Photo by Giles Metcalfe.

 

Martin Harley and Band. Photo by Giles Metcalfe.

Martin Harley and Band. Photo by Giles Metcalfe.

Leek Blues and Americana Festival Sunday Sessions Sister Suzie and the Right Band

The final day of the Leek Blues and Americana Festival 2019 saw an enforced change of venue due to the poor weather conditions and health and safety concerns.

The Sparrow Park stage, sponsored by Old Smithy Tattoo Parlour, was dismantled, and the scheduled bands moved indoors to the Foxlowe, which had been on standby in case of this eventuality. The organisers and volunteers pulled out all the stops to make sure that everything went ahead, and the running order and start times were unaffected.

I caught the tail end of festival favourite Lil’ Jim‘s set, and then settled into my seat for Sister Suzie and the Right Band‘s brand of explosive Rhythm and Blues.

Who is Sister Suzie? Well, Suzie hails from Northumberland’s wild and rural northern border, and has been bringing her natural downhome charm, undiluted, to southern climes for the last few years, including appearances at Glastonbury. The band has also toured Europe, before heading to the Midlands capital of Blues and Americana – Leek.

Suzie was joined onstage by drummer Neil Marsh, Al Nicholls on tenor sax, guitarist Matt Jackson, and Eddie Edwards on stand-up double bass. The band’s Sunday Session set was a rock and rolling mixture of original material and cover versions that drew heavily on the songs of Elmore James and Irma Thomas in particular, as well as a poignant duet between Suzie and Matt on Angel from Montgomery, made famous by Bonnie Raitt.

The bolder and more boisterous members of the audience were soon up and out of their seats and twisting down the front, along with the youngest audience member, who absolutely stole the show by boogieing along too! The interaction between the toddler and Suzie was priceless, funny and altogether too cute.

Before the show, Suzie was presented with her portrait by local and Foxlowe Creative Hub-based portrait sketch artist Gavin Bowyer. Gavin has been busy producing specially commissioned sketch portraits of all the acts appearing at this year’s Blues and Americana Festival.

Thanks again to Old Smithy Tattoo Parlour for sponsoring the event, as well as extending big thanks to the various acts, the Festival organisers and volunteers at the Foxlowe for making sure that everything ran smoothly.

We hope to welcome Sister Suzie and the Right Band back to the Foxlowe soon.

All photos used with kind permission.

All photos by Mark Brammar.

Sister Suzie and Gavin Bowyer

Sister Suzie and Gavin Bowyer, at the presentation of her portrait sketch.

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Gemma Ray and Thomas Truax

Gemma Ray, plus band, and Thomas Truax, plus Hornicator and Mother Superior drum machine, played the Foxlowe Arts Centre on Friday the 1st of March. Following a whistlestop tour of Continental Europe, both artists recently hit England for a series of gigs at a select few venues, including the Foxlowe and the Hebden Bridge Trades Club.

Co-headlining and swapping the running order each night, Thomas Truax was onstage first (and frequently offstage, and outside as part of the performance). A quirky and eccentric mix of storyteller, inventor, performer and recording artist Thomas Truax, who travels the world with his collection of self-made instruments including his legendary ‘Hornicator’ and ‘The Stringaling’, supported Bob Log III at the Foxlowe previously before co-headlining with Gemma Ray this time around.

Mixing electro-acoustic steel guitar and live rhythm loops, plus percussion sounds coaxed from his Dr Seuss meets steam punk meets Heath Robinson-esque “drum machine”, called ‘Mother Superior’, Thomas Truax gradually builds up a magical and hypnotic sound over which he narrates tales about “about clones, butterflies, dogs, technology, loneliness, and other beautiful and sad things”. Further assorted homemade instruments, contraptions and gizmos, including ‘The Hornicator’, which is constructed from the shell of a junk gramophone horn, are utilised to create Thomas’ sound, and strings, springs and attached noisemakers on the afore-mentioned gizmos are plucked and set in motion too.

Thomas doesn’t confine his eccentric but captivating performance to the stage either, as he frequently wanders into the crowd whilst playing, and even goes outside the venue during ‘Full Moon Over Wowtown’, leaving the audience guessing as to which door he’ll reappear through or even if he’ll come back at all (hint – he always does). Wowtown is a surreal place from which some of the characters and events in Thomas’s songs originate, and fans of his music (or even just fans of the bizzarre and David Lynchian Americana) can subscribe to The Wowtown News, an email newsletter that he sends to a long list of email subscribers (GDPR rules may or may not apply in Wowtown).

Hailing from Essex but via Berlin, Gemma Ray and her band followed Thomas onstage for the second half of the co-headlining show.

Gemma Ray inhabits a similarly David Lynchian Americana audio world, with a woozy, hypnotic but unsettling mixture of Peggy Lee with Link Wray and Dick Dale-esque surf guitar (an accomplished and in-demand guitarist, Gemma plays with a wicked-looking kitchen knife at times, used as a slide running up and down the fretboard, and lodged behind the rear pickup on her guitar when not in use). Her and her band’s sound is akin to staring at a Blue Moon whilst underwater in the Pacific Ocean, sometime between the late 50s and early 60s, or the surfer from Crystal Voyager going under one too many times to the accompaniment of the Pink Floyd soundtrack. Both retro and yet contemporary, Gemma Ray and her band bewitch and beguile and ever so slightly unsettle (I’m reminded of that large kitchen knife again at this point!).

Eight album, called Psychogeology, is out now, and has been described by Gemma as ‘an ode to the majesty of landscape, the enormity of nature and time, and the inevitability of every human life eventually forming a minuscule part of further landscapes’. Music News states in their Psychogeology album review:

“This out-look has been honed from extensive global travelling and where [the Situationist concept of] ‘psychogeography’ is the seeking of a wandering un/subconscious resonance garnered from ‘urban’ areas, Ray goes ‘rural’, discovering a broader, wider, more expressive and expansive feeling of nature’s rhythms and tangents more attuned to the body’s inner torrents: the art of wandering in tandem with the art of wondering. ”

The review also references surf guitarists Dick Dale and Link Wray, and elements of Pipeline by The Chantays, and even perhaps ahead of his time but deeply troubled Joe Meek, Peggy Lee, the epic soundscapes of Pink Floyd, and all-girl groups like the Shirelles and Shangri-Las and torch singing chanteuses Billie Holiday and Julee Cruise could also be said to be part of the sonic mix.

The show finished with Thomas joining Gemma on stage to duet on a couple of songs, reinforcing the meeting of minds and bond between the two artists.

The Foxlowe thanks everyone who came out to the show, as did both Thomas and Gemma on the night, and we look forward to welcoming them back again in the future.

Thomas Truax at the Foxlowe Arts Centre

Thomas Truax at the Foxlowe Arts Centre

Thomas Truax at the Foxlowe Arts Centre

Thomas Truax at the Foxlowe Arts Centre

Gemma Ray at the Foxlowe Arts Centre

Gemma Ray at the Foxlowe Arts Centre

Gemma Ray and Thomas Truax at the Foxlowe Arts Centre

Gemma Ray and Thomas Truax at the Foxlowe Arts Centre

All photos by Giles Metcalfe.

 

 

Mel Hill & his Fine & Dandy Jazz Band

In the second lead in performance to this year’s Leek Arts Festival. ‘The Foxlowe Sessions’ are presenting :-

Mel Hill and his ‘Fine and Dandy Jazz Band’
Foxlowe Arts Centre
Friday 8th March 2013
Tickets £6 form Foxlowe Arts Centre or Colloco in Sheepmarket or online at www.foxloweartscentre.org.uk/tickets

There will be a range of Jazz styles including a journey through the Great American Songbook

Mel Hill is well-known as a trumpeter, broadcaster and jazz music writer – an all-round expert whose career spanned education, network radio and his long-running local radio jazz show.

Mel retired from his jazz show on September 5th, 2007 after 19 years continuous service to jazz radio. What began as a regional specialist music show more recently developed into a cult worldwide hit much appreciated by a whole new audience thanks to the world wide web. Indeed, you made Mel Hill’s Jazz the most popular Listen Again show produced by BBC Local Radio with around 20,000 hits each month. A wonderful selection of music, plus Mel’s vast knowledge and relaxed presentation style proved a winning combination.

Flossie Malavialle – Live Foxlowe Sessions, Friday Feb 8th

This Friday, Feb 8th sees the debut of French folk singer Flossie Malavialle at Foxlowe Arts Centre.
Tickets are only £8 from Foxlowe Arts Centre, Colloco or online

Here’s a video – have a listen

But don’t just take our word for it, here’s what other people say about Flossie:

“Flossie has a voice as clear and tuneful as a lark, with a pureness of quality to stop you in your tracks in the forest of a song”
Colum Sands

“A truly impressive voice and excellent stage presence”
Tanglefoot, Canada

“Flossie’s great! She came over from France and wowed everybody with her sensational voice, her gutsy guitar style, eclectic repertoire and franglais patter”
Vin Garbutt

“To have a song covered by a voice with the beauty, clarity and passion of Flossie is a pleasure that should be enjoyed by all songwriters”
Kieran Halpin

“Flossie is inspiring! She sings every song with such skill and commitment. She even sings my songs better than me! It’s great to have her on our scene”
Allan Taylor

“Here’s a sensational performer. She intrigues listeners with her quaint French-Geordie accent and charms them with her stories and ready laughter. Yet it’s her singing that bowls them over. An artist’s artist, a people’s artist, here’s a mammoth talent emphatically radiating that magical X-factor. A veritable show stopper!”
Wheaton Aston Festival

Original Songs & Words by Buxton Open Mic Performers

SONGS AND WORDS jc A4

Date for your diary – Thursday December 6th.

Buxton open mic performers will be performing at Foxlowe arts centre.

On the bill are the fantastic:

  • Jack Regan : master word contortionist and killer rhymer.
  • Hilary Iredale : songs to have you smiling one minute and in tears the next.
  • Susannah Thompson : colourful poet who speaks from the heart.
  • Johnny Dysfunctional : sweet melodies and dark and witty laments.
  • Julian Cohen : compere and performance poet.
It’s a free event but if you’d like you can make a donation to support Foxlowe arts centre.

 

The Smears playing at Foxlowe arts centre

Playing in the New Year – January 4th, more details soon in the meantime have a look at this great video

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