Types of event

Kristin Hersh

Kristin Hersh, Fred Abong and Pete Harvey, Foxlowe Arts Cente, Leek, Friday the 8th of November, 2019

Kristin Hersh is an influential American singer-songwriter, multi-instrumentalist musician and author, known for her solo work and with her indie rock band Throwing Muses and noise rock trio 50FootWave. She has released eleven solo albums. Her guitar work and composition style ranges from jaggedly dissonant to traditional folk.

Kristin is visiting the UK for three intimate gigs during November – in Leek, London and Hebden Bridge – accompanied by her partner Fred Abong, Throwing Muses’ bass player, who opens solo for Kristin; and cellist Pete Harvey.

Kristin is currently touring her highly acclaimed Fire Records release, “Possible Dust Clouds”; and Fred is also playing in promotion of his latest EP, “Pulsing”.

The first night of the mini UK tour was in Leek at the Foxlowe, to celebrate 1000 events at the Arts Centre. Centre Manager Vicki Heath is a huge fan of Throwing Muses and Kristin, so she had no hesitation in asking for Kristin to play to celebrate this milestone for the venue. Vicki was ecstatic when the Foxlowe was able to secure the booking, along with indie rock fans of all ages from across Staffordshire and the wider North West, who quickly snapped up the available tickets.

As previously mentioned, Fred opened solo for Kristin, watched by Kristin and Pete, and played songs from his own repertoire on guitar. Pete had already made an appearance on stage, setting his cello up, giving a strong indication to the audience that Kristin was going to be accompanied for her set. Fred also came out beforehand and carefully placed an impressive and fine-looking trio of Gibson and Fender guitars on the stage too.

Thus, the stage was set for Kristin.

The venue was full, with an appreciative but reverent audience showing their love for Kristin and her extensive body of work, including old and newer songs. Her set was mesmerizing, powerful and moving. Kristin’s vocal style ranges from softly melodic to impassioned screaming, and she has an occasional vibrato that punctuates some of her more dramatic phrasing. You can’t take your eyes off her for a second, and I think that many people in the audience couldn’t quite believe that they were in such close proximity to their heroine.

Highlights included haunting (forgive me, no pun intended) renditions of Your Ghost, and City of the Dead, amongst many others from her back catalogue and new solo records.

A massive thank you to all who were involved in making the gig happen, including Andy Norton, The Situation, and Shameless PR (apologies if I’ve missed anyone off); Ivan Sherratt for the always sterling Sound duties; the staff and volunteers at the Foxlowe (you know who you are); and especially to Kristin, Fred and Pete for coming and playing for us. We sincerely hope to welcome Kristin, Fred and Pete back to our town and Arts Centre again in the future. Thanks also to all the fans who came out for the show despite the cold, the wet and the difficult travelling conditions, and filled the room. Look out for more indie gigs soon, as we have a rich and varied roster of upcoming acts at the Foxlowe over the next few months. Here’s to another 1000 events at the Foxlowe, and reaching the 2000 mark in a few years’ time!

Fred Abong, at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh at the Foxlowe Arts Centre, Leek

Kristin Hersh, Fred Abong and some of the Foxlowe Arts Centre Staff and Volunteers

Photos 1 to 5 by Giles Metcalfe.

Chip Taylor and Adam Coxon

Adam Coxon, Chip Taylor, Gøran Grini and John Platania

Adam Coxon, Chip Taylor, Gøran Grini and John Platania at the Foxlowe Arts Centre, Leek, as an addition to the Leek Blues and Americana Festival programme, on Wednesday the 6th of November, 2019.

On Wednesday night, the Foxlowe was graced by the presence of the legendary New York singer/songwriter Chip Taylor (the Brill Building dwelling writer of “Wild Thing” – by The Troggs, and Jimi Hendrix – and “Angel of The Morning” – sung by PP Arnold, Evie Sands, Merrilee Rush, Juice Newton, Nina Simone and more; as well as other classic songs) with John Platania on electric guitar (record producer, session musician, guitar player – notably with Van Morrison and others) and from Norway, keyboardist Gøran Grini.

Ably supported by local singer-songwriter Adam Coxon, a seated full house was treated to an evening of mellow, heartfelt, emotional songs from Chip and his band, as well as unintended interjections from Chip’s mobile phone. Chip forgot to turn his mobile phone off, and kept getting texts and calls during his set. At one point, he pauses the song in progress to get his phone out of his pocket, reject the call, and then, without missing a beat, start up the song again. A class act.

The rapt audience also listens intently to Chip’s between song tale telling and introductions, on such diverse topics as hearing Country music for the first time as a child, horse racing and betting, his time in the Brill Building, Parnell’s Irish Bar in New York, and being a Whiskey Salesman.

I could go on and recount Chip’s set, but Chip describes it better himself. As an extract from Chip Taylor’s Road Journal entry for the Foxlowe Arts Centre gig says:

“By the time we finished dinner it was pretty much time for Adam [Coxon] to go on the stage and sing a few songs before we got up to do one long show.

Joan and I got there to see a little bit of Adam’s set and sat in the back clapping with other fans for his fine performance.

We got on stage promptly at nine… Right away we knew this was a crazy wonderful audience… It seemed like such comfortable fit, with equally crazy folks playing the music!

Gøran Grini and John Platania were absolutely amazing tonight. Working their magic in and out of all the songs, leaving lots of breathing room in each one. Again, the hits and the up-tempo songs seem to feel loose and good and very well responded to by this great group … we had good fun with the opening song, the Real Thing and “Track 224“ was over-the-top good tonight. Johnny Cash’s “Big River“was raw and great with amazing solos by John and Gøran.

But the songs that seemed to draw the most attention and get the most elongated applause again were the silent ones… The beautiful silent ones. Among the absolute magic ones for the night were “Whiskey Salesman”, “I Like Ridin’”, “Theme for an American Hero”, “What a Smile You Had”, “He’s a Good Guy as Well you Know”, “There’s Nothing Coming out of Me That I Like”, “I’ll Carry for You” and of course the biggest crowd pleaser of all these days is always “Fuck All the Perfect People“!

This audience was just really special.. An audience like this helps make the songs like “He’s a Good Guy” more than just songs being played… More like prayerful things being thought together and communicated and felt together. Some audiences do that for you… and so far, the audiences we have been playing for have been exceptional in this regard. Tonight, you could hear a pin drop during the performance of the songs and you could hear all the little soulful nuances being played on stage by Gøran and John.

This crazy, spontaneous audience brought out the best in us and them.. it was one of those nights!

After a wild “Fuck All the Perfect People”, with the audience singing the chorus loud and clear very early on in the song, we ended with “I Wasn’t Born in Tennessee” from the 1973 classic, Last Chance.

We left to a standing ovation and got a chance to say hello to some of [the audience in the bar area]…”

Thank you to Adam, Chip, John and Gøran for an amazing night, the staff and volunteers at the Foxlowe, and to everyone in the audience who came out on a wet night in Leek to catch the show. We look forward to welcoming you back to the Foxlowe again.

Adam Coxon at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Chip Taylor, Göran Grini and John Platania at the Foxlowe Arts Centre, Leek

Giles Metcalfe and Chip Taylor

Photos 1 to 3 by Giles Metcalfe, Photos 4 and 5 courtesy of Joan Taylor (thank you, Joan).

Little Victor and his Combo

The larger than life Little Victor – AKA Victor Mac, “The Beale Street Blues Bopper” and DJ Mojo Man – graced Leek and a full house at The Foxlowe for The Blues and Americana Festival with his presence on Saturday the 5th of October; supported by Dominic “Chuck Berry” Cooper’s Red Berryn, playing the music of Chuck Berry.

Along with his Combo – his backing band – Little Victor gave us a rollicking and rambunctious night of Blues and Rock ‘N’ Roll, straight from the heart of Memphis to a packed room in the Midlands home of Blues and Americana.

Little Victor is an internationally acclaimed singer-songwriter, guitarist and harmonica player; well-known on both sides of the pond for his rich, quirky and inspired real deal postmodern down-home Blues. He has been called ‘the King of Grit’ and the antithesis of meaningless virtuosity.

The music journalist Johnny Whiteside, writing in the LA Times, described Little Victor’s style of music:

“Little Victor (is) an untamed maverick whose raw, primitive sounds are the utter antithesis of the contemporary Blues model. The offbeat singer-guitarist eschews the genre’s prevalent trend for streamlined six-string virtuosity in favour of wild shouting, stabbing guitar and heavy, almost hypnotic, rhythmic repetition. He can effortlessly switch from shadowy, primitive low Blues to the polished, uptown Beale Street-style R&B to wild, wicked boogies, and all of it is put across with expressive, soul-deep conviction.”

His live shows are an unusual blend of juke joint blues and cabaret, and Saturday night at The Foxlowe was no exception.

Little Victor comes over like a mixture of John Lee Hooker, Slim Harpo, Pee Wee Herman, Muddy Waters, Peter Sellers, RL Burnside, James Brown, Salvidor Dali, Lightnin’ Hopkins, Tommy Cooper, Jimmy Reed, and Screaming Jay Hawkins, all rolled into one! A larger than life character indeed!

Sporting an array of sharp attire, black sunglasses and natty headwear – leopardprint berets and fezzes – and a cape, Little Victor and his equally well-dressed Combo played songs from his new album, entitled “Deluxe Lo-Fi”, as well as cover versions and material from his “Back To The Black Bayou” album. Ably backed by his band, Little Victor’s rowdy, joyous showmanship was a joy to behold. Prowling the stage at times, Little Victor whipped his guitar lead around, did nifty and well-honed moves with his mike stand, stood on a stool which he later kicked over and off the stage, and ventured out into the audience, meaning that you could never take your eyes off him. Woe betide you if you should talk during his set too, as the couple sat near to the stage found out when he called them out for having a conversation whilst he was telling a tale between songs! Appropriate and orchestrated audience participation was encouraged, however, with call and response sections within the songs (“Shake Your Boogie”, and “Another Sleepless Night”), and audience interaction between numbers.

Sponsored by CTD Architects, we were delighted to have Little Victor and his all-star Combo with us for the Festival this year.

Prior to his set, Little Victor was presented with a sketch portrait by Leek and Foxlowe Creative Hub-based artist, Gavin Bowyer. Gavin was commissioned by the Leek Blues and Americana Festival to produce sketch portraits in his own signature style of each of the acts playing this year.

The photo of Little Victor receiving his portait from Gavin is by Mark Brammar.

All other photos by Giles Metcalfe.

Little Victor recieves his sketch portrait from local artist Gavin Bowyer

Little Victor recieves his sketch portrait from local artist Gavin Bowyer. Photo by Mark Brammar.

 

Dominic "Chuck Berry" Cooper's Red Berryn

Dominic “Chuck Berry” Cooper’s Red Berryn. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Foxlowe Arts Centre, Leek

Little Victor and his Combo. Stool still onstage. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Leek

Little Victor and his Combo. Photo by Giles Metcalfe.

 

Little Victor and his Combo, Leek Blues and Americana Festival, Leek

Little Victor and his Combo. Photo by Giles Metcalfe.

Martin Harley and Sam Brookes

Martin Harley, supported by Sam Brookes, kicked off the Foxlowe’s Leek Blues and Americana Festival as a host venue for live music on Wednesday the 2nd of October.

The Festival as a whole opened with a showing of the film Amazing Grace in the cinema room in the Foxlowe on Tuesday night, followed by Festival First Call with Mike Gledhill in the Cock Inn on Wednesday afternoon, but the Foxlowe opened its doors on an unseasonably chilly evening to welcome a great turnout for Martin Harley’s brand of electrified Country Blues.

As Martin’s website states:

“I’m ready to make a bigger noise……Muddy Waters invented electricity right?”

“In 2019 British guitarist and songwriter Martin Harley is making a change. Having created a deep impression on the acoustic blues roots and Americana scene with his last two Nashville recorded albums, his highly anticipated new record finds a new and exciting sound. An Intimate and gritty analogue album, recorded in a remote chapel deep in the wilds of Pembrokeshire. Taking county blues riffs to the electric bottleneck slide guitar, served with sweet vocal harmonies over the driving rhythms of co producer and drummer Harry Harding (Yola Carter/William the Conquerer) Award winning Australian bassist Rex Horan finalises the line up. He has recorded and performed with Eric Clapton, Van Morrison and Laura Marling.

“Through Harley’s road worn songwriting style this record explores hopes and fears for fast changing times, offering gospel like comfort and consolation. The song ‘Roll With The Punches’ implores the listener not to get dragged down when challenges seem unsurmountable. ‘Coming Home’ asks questions beyond the end of life and ruminates on freedom from worldly desires.

“If success can be measured by growing global demand to attend Martin’s dynamic life performances then perhaps his touring schedule is proof of that. He recently played to full house at the Union Chapel in Islington and has appeared at Edmonton, Vancouver, Canmore and Calgary folk festivals in Canada, Glastonbury, Bestival, Beautiful days in the UK, numerous European and US tours and events including the AMAs, The Bluebird in Nashville and Tønder in Denmark. In 2018 Total guitar ranked him #16 in the worlds greatest acoustic guitarist poll and he was nominated as Instrumentalist of the year at the Americana music awards.”

Ably supported by acoustic singer-songwriter, Sam Brookes, who has been described as being “reminiscent of Tim Buckley as he glides between the lower and upper registers of his four-octave range. His pure voice, evocative lyrics and soaring melodies have made him a rising figure in the alt-folk scene”, the appreciative and reverent audience were treated to an uplifting and at times highly poignant and moving set, including renditions of ‘Roll With The Punches’, ‘Feet Don’t Fail Me’ and ‘Winter Coat’.

Prior to his set, Martin was presented with a sketch portrait by Leek and Foxlowe Creative Hub-based artist, Gavin Bowyer. Gavin was commissioned by the Leek Blues and Americana Festival to produce sketch portraits in his own signature style of each of the acts playing this year.

The photo of Martin receiving his portait from Gavin is by Mark Brammar.

All other photos by Giles Metcalfe.

Martin Harley receiving his sketch portrait from Gavin Bowyer

Martin Harley receiving his sketch portrait from local artist Gavin Bowyer. Photo by Mark Brammar.

 

Sam Brookes supporting Martin Harley and playing to a full room at Leek Blues and Americana Festival, Foxlowe Arts Centre, Leek

Sam Brookes supporting Martin Harley and playing to a full room. Photo by Giles Metcalfe.

 

Martin Harley playing lap slide guitar

Martin Harley playing lap slide guitar. Photo by Giles Metcalfe.

 

Martin Harley and Band

Martin Harley and Band. Photo by Giles Metcalfe.

 

Martin Harley and Band. Photo by Giles Metcalfe.

Martin Harley and Band. Photo by Giles Metcalfe.

 

Martin Harley and Band. Photo by Giles Metcalfe.

Martin Harley and Band. Photo by Giles Metcalfe.

Leek Blues and Americana Festival Sunday Sessions Sister Suzie and the Right Band

The final day of the Leek Blues and Americana Festival 2019 saw an enforced change of venue due to the poor weather conditions and health and safety concerns.

The Sparrow Park stage, sponsored by Old Smithy Tattoo Parlour, was dismantled, and the scheduled bands moved indoors to the Foxlowe, which had been on standby in case of this eventuality. The organisers and volunteers pulled out all the stops to make sure that everything went ahead, and the running order and start times were unaffected.

I caught the tail end of festival favourite Lil’ Jim‘s set, and then settled into my seat for Sister Suzie and the Right Band‘s brand of explosive Rhythm and Blues.

Who is Sister Suzie? Well, Suzie hails from Northumberland’s wild and rural northern border, and has been bringing her natural downhome charm, undiluted, to southern climes for the last few years, including appearances at Glastonbury. The band has also toured Europe, before heading to the Midlands capital of Blues and Americana – Leek.

Suzie was joined onstage by drummer Neil Marsh, Al Nicholls on tenor sax, guitarist Matt Jackson, and Eddie Edwards on stand-up double bass. The band’s Sunday Session set was a rock and rolling mixture of original material and cover versions that drew heavily on the songs of Elmore James and Irma Thomas in particular, as well as a poignant duet between Suzie and Matt on Angel from Montgomery, made famous by Bonnie Raitt.

The bolder and more boisterous members of the audience were soon up and out of their seats and twisting down the front, along with the youngest audience member, who absolutely stole the show by boogieing along too! The interaction between the toddler and Suzie was priceless, funny and altogether too cute.

Before the show, Suzie was presented with her portrait by local and Foxlowe Creative Hub-based portrait sketch artist Gavin Bowyer. Gavin has been busy producing specially commissioned sketch portraits of all the acts appearing at this year’s Blues and Americana Festival.

Thanks again to Old Smithy Tattoo Parlour for sponsoring the event, as well as extending big thanks to the various acts, the Festival organisers and volunteers at the Foxlowe for making sure that everything ran smoothly.

We hope to welcome Sister Suzie and the Right Band back to the Foxlowe soon.

All photos used with kind permission.

All photos by Mark Brammar.

Sister Suzie and Gavin Bowyer

Sister Suzie and Gavin Bowyer, at the presentation of her portrait sketch.

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Sister Suzie and the Right Band at Leek Blues and Americana Festival 2019, Foxlowe Arts Centre

Leek Blues and Americana Festival

Now in its 6th year, the historic market town of Leek plays host to an array of local, national and international talent – showcasing the very best in Blues & Americana music. The Festival is set against a backdrop of independent shops, high street favourites and thriving specialist markets with host venues comprising a mix of real ale pubs, craft beer bars and the community arts centre.

5 Days:  Starting Wednesday 2nd October – Sunday 6th October 2019

20+ Venues : Pubs, bars, cafés and arts centres all hosting

60+ Acts: Over 60 Blues & Americana acts throughout the town centre of Leek

Headline acts here at the Foxlowe are:

Martin Harley, Biscuithead and the Biscuit Badgers and Little Victor and his Combo.

Qigong Classes – Autumn 2019 Dates

Twice-monthly classes in the Rainbow Room on a Tuesday from 10.00am to 11.30am on the following dates:

Tuesday 24 September
Tuesday 8 October
Tuesday 22 October
Tuesday 5 November
Tuesday 19 November
Tuesday 3 December
Tuesday 17 December

Qigong is an ancient and powerful system of energy medicine from China:  it means ‘vital energy (Qi) cultivation (Gong).  It uses breathing techniques, gentle movement and meditation to cleanse, strengthen and circulate Qi.   Working with Qigong exercise will relieve stress, balance the hormonal system, release toxins and strengthen the immune system, as well as slow ageing and help accelerate healing.

£10.00 per class payable on the day, but please book in advance with Lindsay.

For more information, please contact Lindsay Trevarthen, Three Treasures Qigong on 07989-986672 or email qigong@w3z.co.uk

 

Autumn Film Programme

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The Film Group have been beavering away to complete the new autumn programme and it’s looking to be as good as ever.  Highlights include Rocketman, an extravagant musical about the dramatic career of Elton John; Judi Dench playing Red Joan, a retired physicist revealed in later life to have been a Soviet agent working for the KGB, and The White Crow, a biopic from Ralph Fiennes about Rudolf Nureyev, whose defection to the West from the USSR in the early sixties stunned the world.  This film also comes with a Meal Deal.

Judi Dench appears again, playing Anne Hathaway opposite Kenneth Branagh as Will Shakespeare in All is True and there are many other excellent films, some by well-known actors and directors and some less so, but all contributing to the exciting and eclectic mix for which Foxlowe Films has acquired a well-deserved reputation.

For a change this season, the Children’s Matinee will be a well-loved classic, Snow White and the Seven Dwarfs.  Although such classics may be widely available on electronic media, our aim is to introduce small children to the magical experience of seeing outstanding films on a big screen in the company of other children.

The Documentary programme will be launched by The Sequel: What will Follow our Troubled Civilisation?, a film that explores new ways of thinking about how to live well, despite and perhaps because of the widely-accepted Climate Emergency, along with initiatives already developing apace around the world that look to reduce our carbon footprint while also improving quality of life. As the film is only an hour long, we hope to arrange a Q&A session afterwards with members of the Staffs Moorlands Climate Action Community, who were recently instrumental in persuading the District Council to unanimously declare a Climate Emergency and commit to working for change.

Printed programmes and tickets will be available in mid-August.  Alternatively you can download an electronic version of the programme.

Live and Local professional theatre

Professional theatre shows announced, starting in October

The Foxlowe is proud to work with Live&Local to present professional theatre shows.  Live&Local is the touring network which offers theatre, as well as music and dance, to venues like ours.   Serious shows, light-hearted shows, shows for young children – we range across the repertoire with a number of one-night performances.

The current season started in October, and here’s an update on it.  We’ve been awarded 4 shows, two before and two after Christmas.

On Saturday 19 October we presented”Once Upon a TimeThe Misadventures of the Brothers Grimm“, described as ‘anarchic comedy at its best’.  It was very much liked by the audience.

 

One actor, 15 parts … …

On Saturday 23 November we have an unusual and exciting version of Shakespeare’s King Lear, presented by Oddbodies.

Armed with only a drum, a guitar, a knife and a chair, the tragic trajectory of Lear’s demise is presented to you from the point of view of his long suffering and ever-loyal fool. This one-man show is inventive, irreverent and highly accessible.

‘Oddbodies is that rare thing, a genuinely original blast of fresh air… unique.’ Evening Standard

All the characters from this sad and sorry tale brought to glorious life as seen from the eyes of the Fool. The bastard Edmund, haughty Goneril, poor deluded Gloucester, oily Oswald, sweet Cordelia, mad Tom and more.

Blindness, betrayal, delusion, deceit, love, loyalty, lust and greed – it’s all to be found in this fast paced, funny, poignant and ultimately heartbreaking production,

Armed with only a drum, a guitar, a knife and a chair, the tragic trajectory of Lear’s demise is presented by Paul Morel as the Long-suffering and ever loyal Fool.

This is an inventive, irreverent and highly accessible take on one of Shakespeare’s most brilliant plays.

Just one reviewer’s comment – more reviews in the Foxlowe listings:

‘Paul Morel is, no question, a fierce talent… a hilarious, fantastic evening’ *****@BingeFringe

Tickets are now available for this at the Foxlowe as well as online.

 

Then in the New Year, in January we’re presenting a show for our youngest audiences (aimed at 3 – 6 year olds)  and in March there will be a welcome return of one of last year’s really well liked companies with Twisted Tales II.

 

The Wolf, The Duck & The Mouse

Thursday 23 January, 5pm (between teatime and bedtime)

★★★★ ‘The best kind of children’s theatre.’ The Stage

★★★★★ ‘Perfect theatrical adaptation.’ The List

One day a mouse was strolling through the forest when, suddenly, he was swallowed by a wolf. ‘Oh Woe!’ he cried from inside the wolf’s belly, that is before discovering that there was a duck in there too who rather enjoys his cosy new digs and doesn’t fancy leaving, thank you very much! Together the two form an unlikely friendship where dancing and playing are at the top of the agenda, as well as enjoying the many weird and wonderful things the wolf gobbles down. While they play the day, outside in the forest the wolf is being hunted by a nasty human. Can the two hatch a plan to save Wolf from the hunter’s rifle and continue to live in belly-based harmony?

This is delightful tale of animal antics, drawn directly from the much-loved picture book, ‘The Wolf, The Duck and The Mouse’. Its creators – Mac Barnett and John Klassen – are two of the biggest names in contemporary young children’s literature, so to have it brought to the stage for the first time in the UK is a thrilling and noteworthy event. Mac Barnett is a New York Times bestselling author. His books have sold more than one million copies in the United States and have been translated into more than 30 languages.

The characters have been carefully drawn and will delight young children; in particular, Duck, who’s cast as an eccentric uncle at a wedding. Their set design takes its cue from the original books with a warm, wintery aesthetic which should be extremely evocative for the audience. The play itself provides an important message about environmentalism to children and families alike, as while he’s hunted, the poor old wolf is also chomping on all sort of unpleasant detritus that has been left scattered around the forest floor. It’s a modern day fairytale about taking care of the natural world, as well finding friendship in the darkest of places.

‘A subversive delight… an unexpected, hilarious collaboration.’

Tickets available in late November

Live&Local is funded by Arts Council England, and grateful to be supported by Staffordshire Moorlands District Council.  Other Moorlands places which also receive L&L work include Alstonefield, Biddulph Moor, Blythe Bridge, Calton, Foxt and Swythamley.  You can find the list of nearby Live&Local shows online at liveandlocal.org.uk and looking at “What’s On”.

 

Michael Quine

 

 

 

Adored and Definitely Mightbe Leek Arts Festival 2019

Perennial local favourites Adored and Definitely Mightbe brought the sounds of Manchester to Leek Arts Festival on Friday the 3rd of May, 2019.

150 or so merry indie music fans packed out the Foxlowe and enthusiastically danced and sang along to every word from the classic Stone Roses and Oasis back catalogues, played faithfully – and to the faithful – by Adored and Definitely Mightbe who returned to the Foxlowe after a triumphal gig here last year.

Adored opened proceedings with their tribute to the Stone Roses, as their seminal debut album turned 30 this week. The set featured songs taken mostly from that self-titled debut album, including I Wanna Be Adored and Fools Gold, but also Ten Storey Lovesong from the much delayed follow-up, 1995’s Second Coming.

Definitely Mightbe are the longest established Oasis tribute band in the world, with over 2,000 shows under their belt. After the interval and a change of clothing and backdrop, Definitely Mightbe took to the stage for a set of anthemic Oasis classics, ostensibly from their first two albums.

Leek’s own Kev Pyne, who played bass in Adored and Definitely Mightbe and was a real character, sadly died unexpectedly in October 2018, and the Oasis song Live Forever was dedicated to him on the night in a fitting tribute.

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Adored at the Foxlowe Arts Centre, May 2019

Adored – Stone Roses tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – ‘Liam’ aka Ian Alcock

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – Oasis tribute: ‘Liam’ and ‘Noel’

Definitely Mightbe at the Foxlowe Arts Centre, May 2019

Definitely Mightbe – ‘Noel’ aka Paul Mitchell

All photos by Giles Metcalfe.

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